Lyn Pool is a mid-career artist based in Melbourne practicing across photography and collage. Since graduating with a Bachelor of Fine Art from Prahran Collage in 1991, Pool’s work has been exhibited extensively across both Australia and overseas. Her solo exhibitions include Housebound (2004), a visual diary of motherhood told through abstract architectural interiors; Turning 5 (2006), a memory portal into childhood milestones; The Sands of Windee (2017), an exposé into the Australian landscape through the lens of a fictitious Indigenous police detective; and Tessellated Pavements (2014), a statement on colonial intervention and Pool’s first creative exploration with collage.